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Eyeglasses Case (In-the-Hoop)

Eyeglasses Case (In-the-Hoop)

You'll be the vision of style with this embroidered eyeglasses case! Your choice of colorful fabrics and threads makes each case a unique fashion statement. From reading glasses to sunglasses, this in-the-hoop case will hold all your specs in style!

Supplies & Materials:

Project Materials or Supplies
- 1/2 yard of thin and soft leather, quilter's cotton, or linen (for the outer fabric)
- 1/4 yard of quilter's cotton (for lining)
- High-loft batting
- Embroidery thread
- Sew on snap, velcro or magnet closure
- Tear-away stabilizer
- Medium weight cutaway stabilizer
- Water-soluble topper stabilizer (such as Vilene or Sulky Ultra Solvy)
- Temporary spray adhesive (such as Gunold KK100)
- Scissors
- Masking tape

The designs used in this tutorial include:

-  X14734, Blooming Rose Eyeglasses Case (In-the-Hoop)

Finished Eyeglasses Case Size:
Large: 8 1/4" wide x 4 1/2" tall
Small: 6 3/4" wide x 3 3/4" tall

Gather Materials:

In-the-hoop eyeglasses case designs have multiple files. Two are full embroidery files. The others are dieline files marked with the letters DL.

Dielines are used to cut the fabric to the correct shape and size. Open and print each dieline file using an embroidery software. If you do not have an embroidery software, take a look at our helpful video on using dielines.


We also recommend Wilcom's Hatch software which comes in different levels depending on what you'd like to use the software for. Hatch Organizer works well to view your designs, print dielines and templates, change design colors, and create basic design layouts. (This is an affiliate link. We may earn commission on purchases made with this link.)

Two folded fabric pieces, one blue and one cream, placed on top of printed sewing pattern sheets, all on a dark wooden surface.

First, cut a piece of high loft batting larger than the front "a" and "b" dielines.

Spray one side of a piece of the batting with temporary adhesive, and smooth it on top of a piece of cutaway stabilizer that is slightly larger than it.

Hand holding a piece of white batting fabric partially lifted from a flat white fabric sheet, both on a dark wooden surface.

Then cut a piece of the outer fabric that is the same size as batting, spray the wrong side of the fabric with temporary adhesive, and smooth it into place on top of the batting.

Hands holding and lifting a corner of a layered fabric piece with a blue top layer and white batting underneath on a wooden surface.

Spray the back side of the printed front dielines ("a" and "b") with temporary adhesive, and smooth them onto the right side of the fabric.

Two paper pattern pieces pinned to a blue fabric square, layered on white batting, all on a dark wood surface. The patterns have sewing lines and folded markings.

Cut the front dieline shapes out of the adhered fabric, batting, and stabilizer. Then remove the paper dieline.

Two rectangular fabric pieces with rounded corners, upper edges curved, with blue fabric sewn onto white fabric backing, laid on dark wood surface.

As high loft batting causes problems with shifting, the batting and stabilizer will need to be trimmed slightly smaller than the fabric piece.

Press the layers of fabric, batting, and stabilizer flat, and carefully cut away any of the batting and stabilizer that sticks out past the fabric at all. Do this until you can press the shape flat on the table and not see any batting or stabilizer peeking out around the fabric edge.

Hand with scissors cutting the edge of a blue and white fabric eyeglasses case on a wooden surface.

Then use those same front "a" and "b" dielines, and cut out a lining version of each of them.

These two pieces will just be the lining fabric, and will have no stabilizer, batting, or extra fabric on them.

Two sets of rectangular fabric pieces for eyeglass cases, each set with one white and one blue piece, laid flat on a wooden surface.

For the back "b" dieline, spray the wrong side of the lining with temporary adhesive. Smooth it onto a piece of the outer fabric with wrong sides together.

Hand holding corner of two-layer fabric piece, white patterned fabric on top and solid blue fabric underneath, on dark wooden surface.

Then spray and place the back "b" paper dieline on top of the outer fabric side.

White fabric piece with blue border fabric underneath, stitched markings forming a rounded rectangle and intersecting lines, placed on a wooden surface.

Cut the back "b" dieline shape out of the adhered outer fabric and lining piece.

Pair of gray-handled scissors placed diagonally over a rectangular piece of blue fabric with rounded bottom corners, all on a dark wooden surface.

Start Embroidering:

Once all the fabric pieces are cut to the correct shapes, it's time to embroider the design.

Hoop a piece of tear-away stabilizer. Madeira E-Zee 1.5 oz. or Floriani Tearaway Medium are good choices. Those brands are more fibrous, less like paper, and will tear more cleanly.

Embroidery hoop with white fabric and stabilizer secured inside on a wooden surface, ready for machine embroidery.

Attach the hoop onto the machine, and load the first embroidery file labeled with an "a" (not the dieline files).

Use a 75/11 sharp sewing needle instead of an embroidery needle.
The sharp sewing needle has a finer point, and it will make smaller perforations in the stabilizer.

Embroider the design. The first thing to embroider will be a dieline (or outline stitch). This marks the area on the stabilizer where the fabric piece will be placed.

Close-up of an embroidery hoop attached to a sewing machine with black thread outlining a rectangular shape with rounded corners on white fabric or stabilizer.

After the dieline has sewn, remove the hoop from the machine, but do not unhoop the stabilizer.

Spray the cutaway stabilizer side of the "a" front fabric piece with temporary adhesive. Smooth the fabric piece onto the stabilizer inside of the sewn dieline, so the cutaway stabilizer is against the hooped tearaway stabilizer.

Blue fabric piece with curved flap is hoop-mounted on a light stabilizer inside a beige embroidery hoop, placed on a dark wood surface.

Then stretch a piece of water soluble stabilizer over the fabric piece, and tape it in place. Make sure to pull it taut, so it squishes and holds down the batting. This will prevent the embroidery foot from catching onto and pushing around the fabric piece while sewing.

Blue fabric piece with curved edge secured inside a white embroidery hoop, taped down on a dark wooden surface, likely in the process of machine embroidery.

Place the hoop back onto the machine, and embroider the tackdown for the front fabric piece. The tackdown will hold the fabric piece in place for the remainder of the design.

Close-up of a white sewing machine stitching a blue fabric piece with zigzag stitches onto white stabilizer fabric, all secured within an embroidery hoop.

Once the front fabric piece is stitched in place, embroider all the inner details. Make sure to stop before sewing the "lining tackdown" step.

Close-up of a sewing machine embroidering a rose design on a rectangular piece of purple fabric secured in an embroidery hoop.

Before sewing the "lining tackdown" step, remove the hoop from the machine, and turn it over so the back side of the embroidery is facing up.

Then spray the wrong side of the lining "a" piece with temporary adhesive and smooth it into place on the back side of the embroidery.

Hand holding light beige fabric with stitched edges, lifting a corner to reveal white fabric with a stitched eyeglasses case outline beneath, all on a gray stabilizer.

As all the embroidery from here on out will be seen from both sides, wind a bobbin to match the thread color used in the rest of the design.


Two spools of gray thread on a dark wood surface; one large spool with excess thread unwound and one small spool with loose thread extending upward.

Place the bobbin into the machine, and follow the color change sheet to embroider the rest of the "a" file design. The "lining tackdown" will embroider to hold the lining piece on the back of the hoop.

Close-up of a sewing machine embroidering a purple fabric piece with a floral pattern and a finished edge stitch on white stabilizer.

Then the "finishing seam" will sew a finished border around three sides of the flap. The straight, top edge does not get a finishing seam.

Close-up of a quilting machine stitching a floral pattern on a blue fabric piece with frayed light blue fabric underneath, on a cream table surface.

Once the embroidery for the flap (file "a") is finished, carefully tear the excess stabilizer away from the outside edges of the design.

Light purple fabric piece with quilted rose and leaf embroidery in darker purple thread, finished edges with white serging, placed on dark wood surface.

Then tear or wash away the remaining water soluble stabilizer in between the details on the front of the embroidery.

Hand holding a piece of semi-transparent blue fabric over a blue fabric panel with stitched floral embroidery and a white serged edge, on dark wood surface.

Hoop another piece of tearaway stabilizer, and load the second embroidery file (labeled with a "b") onto the machine.

Begin to embroider the design. The dieline for the front piece will sew out first.

Close-up of a sewing machine stitching black thread onto white fabric inside a hoop, outlining a rounded rectangular shape. The background is blurred.

Just like the front piece for the "a" file, spray the cutaway side of the fabric, batting, and cutaway front piece, and smooth it into place inside of the dieline.

Then make sure to stretch and tape water soluble stabilizer over the fabric piece to squish it down and hold it out of the way of the embroidery foot.

Embroidery hoop with fabric secured by masking tape, blue felt rectangle centered, placed on a dark wooden surface.

Place the hoop back on the machine, and embroider the "front piece tackdown" to adhere the fabric, batting, and cutaway piece in place.

Close-up of a sewing machine stitching a rounded rectangle shape on a piece of smooth purple fabric, taped to a white backing with yellow masking tape.

Then embroider all of the inner details. Stop before sewing the "lining tackdown" step.

Close-up of a sewing machine stitching a detailed floral pattern on shiny purple fabric placed on a yellow and white striped stabilizer.

Before sewing the "lining tackdown", remove the hoop from the machine, and spray the back side of the "b" lining piece.

Flip the hoop over, and smooth the lining piece in place on the back side of the embroidery.

Embroidery hoop holding white fabric with a rectangular white patch stitched at center, placed on a brown wooden surface.

Then flip the hoop back over, and remove the excess stabilizer and tape from around the design.

Close-up of a white embroidery hoop holding white fabric with a stitched blue floral pattern in its center, with yellow masking tape securing fabric edges.

As all the embroidery from here on out will be seen from both sides, wind a bobbin to match the thread color used in the rest of the design.

Two spools of thread on a wooden surface: one large white spool with silver-gray thread and one tiny gray spool with matching thread, both with loose thread ends.

Place the hoop back on the machine, and embroider the "front piece lining tackdown" and the "top pocket finishing seam. Then embroider the "back piece dieline" which will show where to place the back piece and pocket.

Close-up of a sewing machine embroidering a blue eyeglasses case with a stitched rose pattern on white fabric hooped in place on the machine bed.

Before sewing the "back piece tackdown", remove the hoop from the machine, and spray the lining side of the "b" back piece.

Flip the hoop over, and smooth the back piece in place over the lining with the lining fabrics together.

Hand holding a soft fabric eyeglasses case with a blue outer layer and beige inner lining, placed on a white stabilizer inside an embroidery hoop.

Continue to embroider the design, and stitch out the "back piece tackdown" and "finishing seam" steps. Nothing will sew along the top edge.

Close-up of an embroidery machine stitching a detailed floral pattern in light blue thread on a light purple fabric square, secured on white stabilizer material.

Before sewing the "flap tackdown" take the flap piece, and position it on top of the "b" front.

Line the top edge of the flap up with the sewn dieline, and tape it into place without taping over the top edge where it will be sewing at all. If tape goes over the top edge, it will get trapped in the embroidery.

Tape works better than spray adhesive here as it won't make the flap sticky.

Embroidery hoop with white stabilizer fabric and a blue fabric piece taped with cream masking tape, positioned on a dark wood surface, during assembly.

Once the flap is taped in place, embroider the rest of the design. The "flap tackdown" will embroider first followed by the "top finishing seam".

Close-up of an embroidery machine stitching a fabric eyeglasses case with blue and gray layers, held with beige masking tape on a white stabilizer inside the hoop.

After the embroider has finished, tear away the excess stabilizer from around the design.

Blue fabric eyeglasses case with stitched rose and leaf embroidery in white thread, placed on white stabilizer material over a dark wooden surface.

Then remove the rest of the water soluble stabilizer from around the embroidery.

Hand lifting clear plastic flap on a fabric eyeglasses case with blue floral embroidery on one side, white fabric lining on the other, set on a wooden surface.

On the inside of the eyeglasses holder, there will be a thin strip of tearaway stabilizer holding the case closed. Tear this away as well.

Hand holding white loop strip on the inside of a partially open fabric case with blue and white quilted embroidery, placed on a wooden surface.

Finally add your desired closure. Using a sew-on closure will be stronger than one with an adhesive backing, so it will last longer.

Having your glasses in the case can help with placement when adding the second half of the closure.

Hand holding open a fabric eyeglasses case with white lining and blue embroidered flap featuring a floral quilted design, on a wood surface.