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Lace Front Lined Zipper Pouch (In-the-Hoop)

Lace Front Lined Zipper Pouch (In-the-Hoop)

Accessorize in chic and classic style with this in-the-hoop zipper pouch! A contrasting lining and a freestanding lace flap give this project a soft and finished look. If you like, add an optional wrist strap. Follow the step-by-step instructions below to stitch your own stylish zipper pouch!

Supplies & Materials:

Project Needs & Notes:
- 1/2 yard quilter's cotton or linen (for outer fabric)
- 1/2 yard quilter's cotton (for lining)
- 1/8 yard thin fabric (for strap and wristlet)
- 1/2" D-ring
- 1/2" swivel clasp
- All purpose zipper (9"+ for small size, 12"+ for medium size, 16"+ for large size)
- Temporary spray adhesive (such as Gunold KK100)
- Embroidery thread
- 30-35 wt. cotton thread (for lace)
- Scissors
- Masking tape or painter's tape
- Soft, fibrous water-soluble stabilizer (such as Vilene)
- Seam ripper
- Quilting ruler
- Iron
- Pressing cloth
- Ironing board
- Hand sewing needle or fabric glue

Designs featured in this tutorial include:
-  X14907, Lacy Leaves Lined Zipper Pouch (In-the-Hoop) 

Start Embroidering:

To make a wristlet and D-ring strap for the zipper pouch, cut two strips of the outer fabric or the lining fabric.

For the D-ring strap the strip should be cut to 1 3/4" wide x 7" long.

For the wristlet strap the strip should be cut to 1 3/4" wide x 14" long.

Using a quilting ruler and a rotary cuter is the easiest way to cut out these pieces.

Rotary cutter with an orange handle, two beige fabric strips, and a clear quilting ruler with yellow grid markings on a dark wooden surface.

Take either of the two fabric strips, and fold the two long sides over 3/8" with wrong sides together.

Press the folded edge with a pressing cloth.

Close-up of a fabric piece being pressed with an iron on the right and a yellow transparent quilting ruler on the left, both placed on a white and gray floral patterned ironing board cover.

Then fold the strip in half by matching up the two, long folded edges.

Press the fold, and then either pin or use temporary spray adhesive to hold the fold in place for sewing.

Hand holding a long beige zipper with silver teeth and a metal pull tab on a dark wood surface.

To make a wristlet and D-ring strap for the zipper pouch, cut two strips of the outer fabric or the lining fabric.

For the D-ring strap the strip should be cut to 1 3/4" wide x 7" long.

For the wristlet strap the strip should be cut to 1 3/4" wide x 14" long.

Using a quilting ruler and a rotary cuter is the easiest way to cut out these pieces.

Rotary cutter with white and orange handle, two beige fabric strips, and a clear ruler with yellow grid markings, all on a wooden surface.

Take either of the two fabric strips, and fold the two long sides over 3/8" with wrong sides together.

Press the folded edge with a pressing cloth.

Close-up image of a transparent yellow quilting ruler aligned with fabric edges on a floral-patterned ironing board cover, next to a blue and black iron.

Then fold the strip in half by matching up the two, long folded edges.

Press the fold, and then either pin or use temporary spray adhesive to hold the fold in place for sewing.

Hand holding a beige fabric zipper strip, folded and pinned at one end, against a dark wooden surface background.

As the stitching will been seen from both sides, wind a bobbin with the same thread you are using in the top needle.

Beige or light gray fabric piece laid flat on a dark wooden surface with two thread spools in matching beige color placed near the center.

Sew an 1/8" seam along both long sides. You do not need to sew along the two short ends.

Close-up of a beige fabric zipper tape with visible stitching along both edges, lying flat on a dark brown wooden surface.

Then repeat for the other fabric strip, so both the wristlet and the D-ring strap are folded and sewn. They should both be 1/2" wide when completed.

Two beige fabric strips with stitched edges lie on a dark wood surface, one strip is looped while the other is straight.

For the D-ring strap, slide the 1/2" D-ring on to the folded fabric strap.

Center it, and fold the strap so that the flat side of the D-ring is on the inside of the fold.

Pin the fold or use temporary adhesive to hold it while sewing.

Using a matching bobbin, sew a small seam as close to the D-ring and folded end as possible. Make sure your needle does not hit the D-ring as it will break the needle.

Beige fabric key fob with two parallel straps sewn together, attached to a silver metal D-ring, displayed on a dark wooden surface.

For the wristlet strap, slide the 1/2" swivel clasp onto the sewn fabric strap.

Fold the strap in half again, so the swivel clasp is right at the fold. This time, however, it is very important that the actual clasp of the swivel clasp is on the inside of the fold, so when you fold the fabric it ends up inside of the folded strap.

Light gray fabric wrist strap with metal swivel clasp on a dark wooden surface, the strap is laid in a loop shape.

With the clasp still on the inside of the fold, match up the short, raw edges, and sew a 1/4" seam along them.

Light beige fabric wrist strap with a metal lobster clasp on a dark wood surface background. The strap is flat and narrow.

Trim the seam allowance as much as possible, and turn the strap right side out. Turning the strap right side out will put the exposed seam allowance on the inside of the fabric loop, and now the actual clasp will be on the outside.


Gray fabric wrist strap with a silver metal lobster clasp lying on a dark wood surface. The strap is flat and looped, with visible stitching near the clasp.

Slide the swivel clasp down until it is resting against the sewn seam. Fold the fabric loop in half, so the seam is right on the fold.

Pin the fold or use temporary spray adhesive to hold it in place while sewing. Then sew a short seam as close to the flat end of the swivel clasp as possible without hitting it with the needle.

Neutral beige fabric wristlet with visible stitching and a silver lobster clasp, placed on a dark wood surface.

This completes the wristlet and the D-ring strap. Set them both aside for now. The D-ring strap will be added during the pouch file of the embroidery design. The wristlet will be added at the very end.

Two beige fabric wrist straps with silver hardware, one with a swivel lobster clasp and the other with a D-ring, placed on a dark wooden surface.

When you download the in-the-hoop zipper pouch design, you will find multiple files. Some are the embroidery files, and the others are dieline files marked with the letters "DL".

Dielines are used to cut the fabric to the correct shape and size.

Open and print each dieline file using embroidery software. 

Folded light beige fabric with a subtle floral pattern, folded gray fabric, and four white paper pattern templates with outlines on a wooden surface.

Spray the back side of the back paper dieline with temporary adhesive. Smooth it onto the right side of the outer fabric.

Rectangular piece of white fabric with stitched rectangular border lying flat on a larger beige fabric piece on a wooden surface.

Cut out the first piece, and remove the paper dieline.

Pair of gray-handled scissors resting on a piece of light beige textured fabric on a wooden surface.

Repeat to cut the back dieline shape out of the lining fabric as well.

Gray-handled scissors partially open on a dark wood surface next to a rectangular piece of white fabric with a subtle floral lace pattern.

Then take the two remaining front dieline shapes (labeled with "top" or "bottom"), and cut the two shapes out of both the lining and the outer fabrics.

Pair of gray handled scissors on a wooden surface next to four fabric pieces: two white rectangular and two beige rectangular pieces placed below and above scissors.

Then take one of the front shapes, and fold one long side over 1/2". Press it along the folded edge.

Close-up of a blue iron pressing a white fabric edge, next to a clear quilting ruler with yellow grid lines and a small folded piece of beige fabric on a gray and white patterned surface.

Repeat to press one long edge over 1/2" on each of the four front, dieline pieces.


Four rectangular fabric pieces laid out on a wooden surface: two beige pieces at the top, one narrow beige strip below them, and one larger white piece with a subtle floral pattern at the bottom.

There are different kinds of water-soluble stabilizer. For best results, use a soft and fibrous water soluble stabilizer, like Vilene. Using a stabilizer like this will make the zipper pouch less bulky and easier to turn. The clear and plastic water soluble stabilizer will not work well.

Use a size 11 or 75/11 sharp sewing needle. A sharp sewing needle has a smaller, finer point than an embroidery needle. That means it will make smaller holes in the stabilizer.

Two translucent rectangular sheets lying on a wooden surface; the left sheet is white and opaque, the right sheet is clear and crinkled.

Hoop a piece of water-soluble stabilizer tightly, making sure there are no wrinkles and the stabilizer is taut in the hoop.

Embroidery hoop holding a piece of white stabilizer fabric with an oval-shaped lace front zipper pouch opening stitched in the center, placed on a wooden surface.

Load the zipper pouch embroidery file (file "a") onto the machine, and begin to embroider the design.

The first thing to embroider will be the "zipper dieline". This marks the place where the zipper will be placed on the stabilizer.

Close-up of an embroidery machine stitching three parallel lines on white fabric hooped in a rectangular frame, with a textured white background.

The zipper dieline sews a box with a centerline through the middle.

To place the zipper correctly, close the zipper, and match up the center of the zipper (the teeth that zip and unzip) with the sewn centerline.

Make sure the wrong side of the zipper is against the stabilizer, and tape it in place. The zipper should hang over the hoop on both sides, and will be trimmed away later.

Close-up of a beige embroidery hoop holding a gray fabric stabilizer, with a blue fabric strip and white zipper partially sewn and held by a hand, on a white surface.

Once the zipper is taped down, place the hoop back on the machine, and embroider the "zipper tackdown" step.

This will stitch the zipper to the stabilizer, and hold it in place for the remainder of the design. Don't worry if it sews over the tape, it can be easily torn away from around the stitches. Then remove the tape before continuing to embroider.

White zipper sewn onto gray fabric with blue painter's tape being peeled off to reveal clean zipper edges, part of an embroidery hoop frame visible above.

Remove the tape, and embroider the "top front piece dieline" step. This will sew out an outline where the top front fabric piece will go.

Close-up of an embroidery machine stitching parallel seams on white fabric attached to a hoop. A blue zipper is partially visible on the right side.

Spray the back side of the folded, top front outer fabric piece with temporary adhesive. With the folded edge against zipper, smooth the fabric piece inside the sewn dieline shape.

Embroidery hoop with white zipper and beige fabric strip tapped down with blue painter's tape on a gray felt-like fabric background. Strip has printed word "Fold" and arrows.

Then continue to embroider the "top front piece tackdown" step.


Close-up of a sewing machine stitching a straight seam on a beige fabric strip, attached to a white base fabric inside an embroidery hoop.

The "bottom front piece dieline" will embroider next, showing where to place the next fabric piece.

Embroidery machine stitching a rectangular piece of beige fabric with a zipper on a white stabilizer hooped in place, set on a white surface.

After the "bottom front piece dieline" has sewn out, place the fabric piece with the folded edge along the zipper, and embroider the tackdown.

Again make sure the folded edge is against the zipper. Stop before sewing the "top lining tackdown".

Close-up of embroidery machine stitching a rectangle with zipper on beige fabric, secured in white hoop on a white surface, mounted and in progress.

Before sewing the "top lining tackdown", stop the machine, and remove the hoop without unhooping the design.

Lay it on the table with the back side of the hoop facing up. Take the top, front lining piece, and spray the wrong side with temporary adhesive. Smooth it in place directly behind the top, front outer piece on the back of the hoop.

Make sure the folded edge is against the zipper.

Embroidery hoop holding white fabric with a taped zipper in the center marked "Fold" with arrows on painter's tape, placed on gray fabric on a wood surface.

As the stitching will now be seen from both sides of the design, wind a bobbin with thread matching the color of the lining fabric. The top thread should still match the outer fabric color.

White fabric piece with a subtle floral pattern lies flat on dark wooden floor, with a small white loop sewn near one corner.

Place the hoop back onto the machine, and embroider the "top lining tackdown" step.

This will sew over the existing sewn tackdown on the front side of the design while also tacking down the added lining fabric.

Close-up of a beige fabric piece with white lace overlay stitched on top. The fabric is attached to a transparent net-like backing and a gray fabric beneath, showing stitching lines.

Then repeat to spray and place the bottom, front lining fabric on the back side of the hoop. Again make sure the folded edge of the fabric is against the zipper.

Close-up of a hand folding a piece of white fabric with a floral pattern along a marked fold line over a white zipper, all placed inside an embroidery hoop with a plastic stabilizer.

Still using the matching bobbin, place the hoop back on the machine, and embroider the "bottom lining tackdown". This will sew over the existing sewn tackdown on the front side of the design while also tacking down the added lining fabric.

Close-up of a pale fabric pouch with white lace pattern, a central white zipper sewn in, and white stitching along the edges on a textured beige surface.

Before sewing the "front finishing seam" step, stop the machine and remove the hoop without unhooping the design.

It is very important to move the slider (also called the pull tab) of the zipper to the center of the fabric pieces. This will allow the zipper slider to be on the finished pouch.

If you do not move it, the zipper will be unusable, so do not forget!

Hand holding the zipper pull of an open white zipper sewn into a rectangular piece of beige fabric, placed in an embroidery hoop with blue painter's tape on the sides. Text on fabric reads "Open Zipper" with an arrow pointing right.

It is now time to add the previously made D-ring strap.

Position it as desired so the raw edge is hanging over the outside of the fabric pieces. It is very important to make sure the metal D-ring is far enough away from the outer edge of the fabric that it will not get sewn over. If the metal D-ring does get sewn over by the remaining stitching, it will break your needle, so be sure to place it correctly. Tape it in place.


In-the-hoop embroidery hoop holds a beige fabric piece with a white zipper stitched in the center. Blue painter's tape secures zipper ends on the left.

Lay the back fabric piece on top of the hooped front piece (file "a") with right sides together. Match up the outer edges, and tape the back piece in place around all four sides of the design.

Hand holding folded beige fabric inside an embroidery hoop secured with blue painter’s tape, placed on gray fabric on a wooden surface.

Place the hoop back onto the machine, and embroider the "front finishing seam" step. This will bind all the layers together, and create the final shape of the pouch. Remove the tape after embroidering this step.

Hand placing blue painter's tape on beige fabric square secured in an embroidery hoop on gray fabric beneath, with visible stitching outline inside the square.

Then remove the hoop from the machine, and turn it over so the lining fabric is facing up. Lay the lining back piece on top of the other lining pieces with right sides together. Match up the edges, and tape it in place.

Hand holds a white fabric square partially lifted inside a large embroidery hoop with blue painter's tape securing fabric edges on a gray textured surface.

Place the hoop back onto the machine, and embroider the final "lining finishing seam" step. This will sew the final shape of the pouch a second time, binding the last lining piece to the rest of the design.

Hand holding blue adhesive tape being lifted from fabric hoop with white fabric layered inside embroidery hoop on gray surface.

The "lining finishing seam" will also leave an opening in the bottom edge of the lining for turning the pouch right side out. So make sure to not just sew either finishing seam step twice as the two finishing seams being different is very important.

Hand holding up a folded cream-colored lace fabric piece with a light stitch pattern, placed on a gray fabric inside an embroidery hoop on a dark wooden surface.

Once the design has finished embroidering, cut or tear away the excess stabilizer from around the design.

Partially assembled pouch with white zipper and fusible interfacing, a pair of gray scissors, and a rectangular piece of gray fabric on a wooden surface.

Then trim away the seam allowance as well as the extra zipper length. Trimming the fabric away from the corners and curves will help the pouch keep its shape without wrinkling once turned right side out.

Unfinished fabric pouch pieces with zippers attached lie flat on a dark wood surface, along with a gray scissors placed on top of the largest fabric piece.

Turn the zipper pouch right side out through the opening in the lining, so the right side of the lining fabric is facing out.

White fabric pouch with subtle floral lace pattern, partially open, showing plain interior lining, placed on dark wooden surface.

Then use fabric glue or a hand sewing needle and thread to close the opening in the bottom edge of the lining.


Close-up of a sewing needle stitching white thread through light beige fabric with subtle floral patterns, resting on a dark wood surface.

Cut open the stabilizer hiding the zipper using a scissor or seam ripper. Make sure not to cut the actual zipper or fabric.

White fabric zippered pouch with subtle lace pattern, placed on a dark wooden surface. A green-handled seam ripper rests on the pouch.

Turn the pouch right side out. If desired, you can remove the water soluble stabilizer inside of the pouch to make it less bulky.

To do this, follow the manufacturer's instructions that come with the stabilizer. For Vilene, we soaked the pouches overnight (12+ hours), and then scrubbed the pouch gently under running water to remove the stabilizer completely so that no stiffness remained.

Hand holding open a beige fabric zippered pouch over a clear glass bowl with concentric circle patterns on a dark wooden surface.

Allow the pouch to air dry, and then press it with a pressing cloth and an iron to get rid of wrinkles and create crisp, folded edges.

Close-up of a blue and black iron resting on a white fabric with a small beige pouch with a white zipper beside it, all on a light textured surface.

Freestanding lace designs have been specially digitized for water-soluble stabilizer.

After the stabilizer is removed, beautiful embroidery remains. When you download the design, you will find multiple embroidery files which contain all of the pieces of the design.

White lace piece featuring various leaf patterns with intricate mesh and solid stitching, displayed on a dark wooden surface.

Delicate lace is digitized for 30-35 weight cotton thread. 30-35 weight cotton thread is found under different names, such as mercerized cotton or all-purpose cotton.

Two large spools of sewing thread on a wooden surface: one is red mercerized cotton thread with a blue label, the other is light blue Coats Cotton thread with a yellow label.

As the freestanding lace will be seen from both sides, wind a bobbin with the same thread that is being used in the top needle.

A large spool of white thread and a smaller plastic bobbin with white thread sit on a dark wooden surface. The background is simple with visible wood grain.

Hoop the stabilizer firmly. Make sure it is nice and tight with no wrinkles.

Embroidery hoop holding white fabric with a rectangular area cut out in the center, placed on a dark wooden surface.

Attach the hoop to the machine and load file "a". Follow the color change sheet, and embroider the first color of the design using a matching bobbin.

Close-up of an embroidery machine stitching a delicate lace design with floral and leaf patterns in light beige thread on translucent fabric.

After embroidering, trim away the excess stabilizer.


White lace embroidery piece with a symmetrical leaf and floral pattern on light fabric, resting on a dark wooden surface next to gray-handled scissors.

The stabilizer's packaging should give instructions for removing the excess. For Vilene, soak the embroidered lace for a few moments.

Hand holding a piece of white lace fabric with floral patterns above a clear ribbed glass bowl on a dark wooden surface.

Allow the lace to air dry, and then press it with a pressing cloth on top.

Blue and black iron pressing a white linen cloth over a delicate cream lace fabric on an ironing board with a light floral cover.

Take the lace flap that was embroidered earlier, and match the top, straight edge of the lace up with the top seam on the zipper pouch.

Carefully hand sew the top edge of the lace flap to the top seam of the pouch. For best results use the same cotton thread that the lace was embroidered out of.


Close-up of ivory lace with a leaf pattern being hand-stitched with needle and white thread on a wooden surface.

There will be an opening planned in the lace flap at the bottom center of the lace. This is made for a button to pass through to act as a closure. place a button in that opening of the lace. Use it for placement, and sew the button onto the front fabric of the pouch.

Beige fabric zipper pouch with off-white lace overlay flap secured by a gold snap button, placed on a dark wood surface.

Finally, clip the previously made wristlet with the swivel clasp onto the D-ring strap.

Beige fabric wristlet pouch with off-white lace overlay on front flap, decorated with a small gold-tone round charm, placed on a dark wood surface.